![]() It was heavily used for classical studio music compositions and film scores by composers like Mark Snow (the famous whistle sound used in the X-Files theme, Patch #125 “Whistl’n Joe”) and Eric Serra (the popular low octave sound effect used in the 1995 GoldenEye film score, Patch #86 “Infinite One”).Į-MU also created additional presets for the Proteus/2 in SysEx format and delivered on floppy disks. It concentrates on purely orchestral sounds with a wide range of solo strings, woodwinds, classical brass, orchestral percussion and more.īased on the excellent EIII sound library, the Proteus/2 module is extremely capable of realistic orchestral emulations. The E-MU Proteus/2 sound module is based on the same technical characteristics of its predecessor, Proteus/1, but with different waveforms.
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